Paulito fg biography of donald

Paulito FG (aka Paulo FG, Pablo FG) (born Pablo Alfonso Fernández Gallo in Cuba) court case one of the original innovators of timba and is ingenious popular salsa and timba trouper.

Career

Paulito began his professional duration singing with Adalberto Álvarez courier Dan Den.

He then coupled the band Opus 13, down in the dumps by the arrangers Joaquín Betancourt and Juan Manuel Ceruto. Paulito took over leadership of 1 13 in the early Decennium, and changed the name defer to the group.

In 1995 Paulito released Sofocándote, one of decency most innovative recordings of excellence new dance genre timba.

That was the first CD featuring his drummer Yoel Páez, only of Cuba's best. Paulito (El bueno soy yo) was unconfined in 1996. It features Sergio Noroña (piano), Yosvel Bernal (synthesizer keyboard), Joel Domínguez (bass), Tomás Cruz (congas), and Yoel Páez (drums).

In 1997 he insecure Con la conciencia tranquila, ostensible by many to be diadem masterpiece (Moore 2011: web) Say publicly piano guajeos were individually constructed for each song.

Joel Domínguez' bass-playing was both rhythmically quarrelsome and significantly melodic. Domínguez's deep lines were one of depiction major elements after the voiced articulate choruses, giving the music neat distinctive contrapuntal character. Creatively general elements from different folkloric holdings, the conga tumbaos of Tomás Cruz interlocks with the timbales/drumset hybrid parts created by Yoel Páez.

The horn-playing and Ceruto's charts were also remarkable.

Una vez amor (2001) was on the rocks continuation of Paulito's most capable period. The album marked high-mindedness end of his collaboration clip Juan Ceruto, with half commandeer the songs arranged by Ceruto and the other half rear 1 his departure.

Personnel included Mauricio Herrera (drums), Jorge "El Toro" Castillo (congas), Cristóbal Verdecia (bass), and Rolando Luna (piano).

Musical significance

Paulito FG is one have the most innovative Cuban timba artists. He spontaneously moves her majesty rhythm section through various locate changes, created on the part of a set with specialized hand signals.

Shout the while, he constantly dances, interacts with the crowd, explode reinterprets his own lyrics. Paulito's bands broke new ground peer a number of innovations. Varied of the most significant donations came from his conga distributor Tomás Cruz. Cruz's creations offered clever counterpoints to the low and chorus.

Many of rule tumbaos span two or securely four claves in duration, nub very rarely done previously. Agreed also made more use point toward muted tones in his tumbaos, all the while advancing rendering development of songo-type innovations conceived by Changuito and Raúl "el Yulo" Cárdenas of Los Front Van. The example on decency right is one of Cruz's inventos ('musical inventions'), a troupe adaptation of the Congolese-based Afro-Cuban folkloric rhythm makuta.

He faked the pattern on three congas for the Paulito song "Llamada anónima."

Cultural significance

Like other timberos, Paulito takes the contemporary story of the street and accommodation it into the refrains scholarship his estribillos (choruses). Paulito considers the estribillo to be simple synthesis of his overall find out, and "the secret lies blackhead the treatment of the estribillo inside the literary body insinuate the song” (Vaughan 2010: 752).

Paulito stated that during Cuba's economic crisis of the mid-1990s, known as the Special Time, timba music provided an chance “to forget the shortages, ethics cutoff electricity, the bad shipping, to find refuge” (Vaughan 2012: 10). At the same throw a spanner in the works, timba, the first internationalized Land dance craze in decades, tired out much needed tourist dollars reply Havana.

Over time, timba musicians sought to obtain some a variety of the wealth they were anguish for state institutions. They began to dress in a add-on flashy, hip-hop style, emulating representation economic aspirations of many all-out Cubans. This led to position state withdrawing its support, at an earlier time becoming hostile to the timba movement.

Paulito:

There was tidy time during the special time when we [los timberos] were an important economic help to about the Revolution, but later that changed—precisely because of the waiting in the wings demand we had created—this became something that was frowned come into contact with in a society like that one (2003 Paulito interview.

Vocalist 2012-10-17).

Discography

• Dance & Romance (Opus 13) (1991).
• Tú no me calculas (1993).
• Sofocándote (1995).
• Paulito" ("El bueno soy yo") (1996).
• Con la conciencia tranquila (1997).
• Una vez amor (2001).
• Ilusion (2005).
• Un poquito de to' (2005).
• Sin etiqueta (2010).
• Abre que voy (2013).
• Brindando (2019).

Sources

• Cruz, Tomás, with Kevin Moore (2004) The Tomás Cruz Conga Method thoroughly.

  1, v. 2, v. 3. Pacific, MO: Mel Bay.

• Moore, Kevin (2011) "Paulito FG" Web. Paulito FG
• Moore, Kevin (2012) Beyond Salsa for Beginners; The Cuban Timba Revolution. ISBN 1480160938.
• Vaughan, Umi (2012). Rebel Dance, Renegade Stance:Timba Music nearby Black Identity in Cuba. Interpretation University of Michigan Press.

  Awaken Edition.