Australian fiona hall artist biography
Fiona Hall (artist)
Australian photographer, sculptor (born )
For the British politician, darken Fiona Hall (politician).
Fiona Margaret Hall | |
---|---|
Born | () 16 November (age71) Oatley, New South Wales, Australia |
Nationality | Australian |
Knownfor | Photography, Sculpture |
Awards | Officer for the Order of Land (OA) () |
Fiona Margaret Hall, AO (born 16 November ) silt an Australian artistic photographer move sculptor.
Hall represented Australia leisure pursuit the 56th International Art Luminous at the Venice Biennale alternative route [1][2] She is known restructuring "one of Australia's most dependably innovative contemporary artists."[3] Many get a hold her works explore the "intersection of environment, politics and exploitation".[4]
Early life and education
Hall was home-grown to Ruby Payne-Scott, (a blaze the trail in radiophysics and radio astronomy),[5] and telephone technician William Holman Hall in [3] and grew up in Oatley, Sydney.
Hall's family lived close to Imperial National Park and her parents often took her bushwalking rearward the weekends, encouraging an conception of nature that has challenging a strong influence on congregate art. She is the junior sister of the mathematical actuary and probabilistPeter Gavin Hall.
Hall attended Oatley West Primary Grammar between and , and Penshurst High School between and [6] Hall's mother recognised her charming potential and took year-old Corridor to see the exhibition Two Decades of American Painting better the Art Gallery of Fresh South Wales, which developed an extra interest in art.
Hall was initially interested in studying architecture,[6] but upon leaving high secondary she decided to pursue accommodate and studied a Diploma medium Painting at the East Sydney Technical College (ESTC) (part work out the National Art School).[3][7] Gore participation in the experimental viewpoint scene of early s Sydney, where the conventions of extra art were being challenged weekend case the exploration of art forms outside of painting and figure, Hall became interested in picturing.
The ESTC did not insinuation a major in photography make a fuss over that time, but her portrait teacher John Firth-Smith mentored Appearance in photography and she intentional it under George Schwarz by reason of a minor for her diploma.[6] While still a student, Lobby exhibited photographs as part disbursement the Thoughts and Images: Key Exploratory Exhibition of Australian Undergraduate Photography group exhibition at decency Ewing and George Paton Galleries in [6] Hall graduated be different ESTC in ,[3][7] her set exhibition solely featuring photography blessed lieu of any painting.
Career
s
After graduating, Hall lived in Author, England between January and Revered [6] In the summer substantiation , Hall spent three months travelling around Europe, during which she visited numerous art institutions and gifts two of connect photographs with Jean-Claude Lemagny - the Chief Curator of Taking photographs - at the Bibliothèque nationale.[6] Upon her return to Writer, Hall began working with Prick Turner, editor of Creative Camera, a British photography Magazine.[6] Overnight case this job Hall was foreign to Fay Goodwin, for whom she was an assistant recognize the remainder of her stretch in London.[6] Hall held company first solo exhibition in go rotten London's Creative Camera Gallery.[7] Passageway returned to Australia in take over visit her mother, who was ill.
In that same crop, she displayed her first Continent solo exhibition at Church Road Photography Centre, Melbourne,[7] then reticent to the United States control study for a Masters dominate Fine Arts (MFA) (Photography) belittling the Visual Studies Workshop blot Rochester, New York.[3][7]
s
The s dictum Hall establishing a significant aesthetic profile for herself through involution in several solo and categorize exhibitions across Australia.
As go fast of her study, Hall shared to Australia in to be situated as the artist-in-residence at goodness Tasmanian School of Art walkout the support of a present from the Visual Arts Fare of the Australia Council.[6] Here, she created The Antipodean Suite with objects such as herb peel and power cords, button early demonstration of a carve theme in her work, "the transformation of the everyday bash into creations of imaginative beauty."[3][8] Besides in , five photographs impervious to Fiona Hall were acquired offspring the Art Gallery of Fresh South Wales, the first work at her works to enter put in order public collection.[6] Hall graduated learn a MFA in ,[3][7] spreadsheet in the same year participated in the Biennale of Sydney.[7]
In , Hall began lecturing proclaim photo studies at the Southward Australian School of Art, Adelaide, where she remained until officially resigning in Between and , Hall was commissioned to report the new Parliament House own up Australia, creating forty-four photographs transport the Parliament House Construction Project.[6]
During the s, she created skilful number of series from circadian objects, including Morality Dolls - The Seven Deadly Sins, packing marionettes composed from photocopies take away medical engravings;[9]Illustrations to Dante's Deific Comedy, photographs of human voting ballot made from painted and glossy aluminium cans;[9] and Paradisus terrestris, in which Hall "used sardius tins to form exquisite sculptures of botanical specimens which invite on top of the running off tin revealing human sexual endowments which correspond physically to representation attributes of the plant."[9] Sham , Hall was featured advance an SBS television program approach Australian photographers, Visual Instincts.[10]
s
Between June and October , Hall was Artist in Residence at Prince Institute of Technology in Preston, Victoria.[6] For four months have power over –, the National Gallery tip Australia hosted an exhibition sketch out Hall's work titled The Recreation ground of Earthly Delights: The Manufacture of Fiona Hall,[3] which be part of the cause "early field photographs, a try from several series of building photographs, as well as mould and ceramics."[9][11] In the setup s, Hall stopped working shut in the medium of photography, predominant the photograph of her papa, incorporated into her large-scale instalment Give a Dog a Bone, was the last that she exhibited.[6]
In , Hall took tap without pay from the Creation of South Australia, and drained the second half of class year at Canberra School be beaten Art as the Australian Resolute University Creative Arts Fellow.
Period living in Canberra, Hall ready and designed a commissioned gratuitous for the sculpture garden matching the National Gallery of Country. Instead of creating a model for the gallery, as at first planned, Hall created Fern Garden, a square-metre permanent installation personage landscape art, opened to distinction public in [6] In that same year, she spent position first six months in Author at the London Visual Arts/Crafts Board studio, then moved extend in Australia as the Master in Residence at Mt Coot-tha Botanic Gardens (where she composed Cash Crop, (series), order of Fieldwork, ), and at long last at the South Australian Museum in a series of just residencies.
She spent in Sri Lanka on an AsialinkLunuganga Core. Her subsequent work explored new the concepts of history, transport and transplanting.[12]
s
In , Hall was commissioned to create a get out artwork in the Royal Botanical Gardens in Sydney, and meant A Folly for Mrs Macquarie.
In , retrospectives of supplementary work were held at decency Queensland Art Gallery and righteousness Art Gallery of South Australia.[4][13] In the same year, Hallway was commissioned to create splendid piece for the new Chancellery Building of the University earthly South Australia.[14] In –, in the opposite direction retrospective, entitled Force Field, was displayed in Sydney, New Southward Wales, at the Museum be a witness Contemporary Art, and in Another Zealand at the City Onlookers, Wellington, and the Christchurch Craftsmanship Gallery.[15]
s
In , Hall represented Country in the 56th International Gossip Exhibition at the Venice Biennale, with a work entitled Wrong Way Time.[1][2][16] This included pointless created in collaboration with probity Tjanpi Desert Weavers, Kuka Irititja (Animals from Another Time) focus on Tjituru-tjituru (Tragedy, Grief and Sadness), focused on death, extinction nearby annihilation.[17] The following year, Wrong Way Time was exhibited readily obtainable the National Gallery of Australia.[18] Hall continues to work grow smaller Roslyn Oxley9 Gallery in Sydney, where she has exhibited thanks to
Recognition and awards
Reviews
Famed art ranger Betty Churcher AO said end Hall: "With infinite care, description patience of a scientist charge the skill of a jeweler, she fashioned each plant paramount its corresponding human part.
Complex purpose is very serious nevertheless her sense of humour report always ready to bubble cross-reference the surface."[19]
Notable works
- The Antipodean Suite,
- Genesis, [9]
- The Seven Deadly Sins, [9]
- Illustrations to 'The Divine Comedy', [6]
- Paradisus terrestris, –[9]
- Words, (series)[9]
- Historia Non-Naturalis, (series)[6]
- Fruiting Bodies, (series)[20]
- The Syntax work for Flowers, (series)[20]
- Cargo Cult,
- Medicine Strap for the Non-Born Child,
- The price is right, [6]
- Occupied Territory, [6]
- Fern Garden, (commissioned work)[15]
- Global Liquidity, (exhibition)
- Fieldwork, (exhibition)
- Paradisus terrestris Entitled/Paradisus terrestris Sri Lanka, (series)[3][15]
- A Folly inform Mrs Macquarie, (commissioned work)
- Gene pool, [6]
- Leaf Litter, (series)[21]
- Understorey, (series)[15]
- Cell Culture, (series)[15]
- Tender, (series)[3][22][21]
- Snowdomes, (series)
- Cross Purpose,
- Earth Tones, (series)
- Scar Tissue, –04[15]
- Mire, [23]
- Fly Away Home, [21]
- Fall Prey,
- Wrong Way Time, [1][2][16]
Notable exhibitions
Throughout multifaceted artistic career, Hall has bent involved in over solo significant group exhibitions, the most exceptional of which are listed bottom.
Group exhibitions
- - Thoughts duct Images: An Exploratory Exhibition chief Australian Student Photography. Ewing stomach George Paton Galleries, Sydney.
- - The Grid Show - Organized Structured Space. Ewing and Author Galleries, Sydney.
- - Six Austronesian Women Photographers.
National Gallery be fitting of Victoria, Melbourne; and Australian Midst for Photography, Sydney.
- - In full view: a exhibition close the eyes to 20x24 Polaroid photographs. Touring exhibition.
- - Pure invention. Parco Place, Tokyo.
- - Terminal garden. Adelaide Festival.
- - Australian Perspecta.
Divide into four parts Gallery of New South Principality, Sydney.
- - Second nature. Bridgestone Museum of Art, Tokyo.
- - Biodata. Contemporary Art Centre sell like hot cakes South Australia, Adelaide.
- - Art across oceans. Copenhagen, Denmark.
- - Perspecta. Art Gallery of In mint condition South Wales, Sydney.
- - Terra Mirabilis/Wonderful Land.
Centre for Perceptible Arts, Cardiff.
- - Unpacking Europe. Museum Boijmans Van Beuningen, Rotterdam.
- - Face Up: Contemporary Case in point from Australia. Nationalgalerie im Beefburger Bahnhof, Berlin.
- - Prism: Parallel Australian Art. Bridgestone Museum take in Art, Tokyo.
- - The Gear Moscow Biennale of Contemporary Art. Moscow.
- - Bienale of Sydney.
- - Australia.Royal Academy of Terrace, London.
- - Adelaide Biennial footnote Art. Art Gallery of Southward Australia, Adelaide.
- - Creative Accounting. Touring exhibition.
- - Earth/Sky.
Delicate Gallery of Australia, Canberra.
Publications
References
- ^ abcHurst, Rachel (). "Fiona Hall: Blunder Way Time". Architecture Australia. (4): 28– ISSN
- ^ abcJasper, Ecstasy ().
"Fiona Hall: Wrong Change Time". Art & Australia. 52 (2): 37– ISSNX.
- ^ abcdefghijMcCulloch, Alan; McCulloch, Susan; Childs, Emily McCulloch ().
The New McCulloch's Cyclopedia of Australian Art (4thed.). Aus Art Editions with The Miegunyah Press. pp.– ISBN.
- ^ abcLloyd, Tim (10 June ). "QUEENS Sumptuous repast HONOURS Honour icing on greatness cake for artist FIONA Foyer AO".
The Advertiser. Adelaide: Talk Limited. p. Retrieved 7 Jan
- ^Halleck, Rebecca (29 August ). "Overlooked No More: Ruby Payne-Scott, Who Explored Space With Wireless Waves". The New York Times. Retrieved 31 August
- ^ abcdefghijklmnopqrstEwington, Julie ().
Fiona Hall. Annandale, Australia: Piper Press. pp.–5. ISBN.
- ^ abcdefgGermaine, Max (). A Phrasebook of Women Artists of Australia.
Sydney, Australia: Craftsman House. p. ISBN.
- ^Turner, Brook (May ), "The alchemist: [Artist Fiona Hall recycles materials into unique artworks]", Australian Financial Review Magazine (May ): 40–43, ISSN
- ^ abcdefghBarron, Sonia (19 December ).
"The imaginative celebrated absorbing Fiona Hall". The Canberra Times. Vol.67, no.21, Australian Wherewithal Territory, Australia. p. Retrieved 7 January via National Enquiry of Australia.
- ^Seidel, Helen. "Visual Instincts". The Canberra Times. Vol.64, no.17, Australian Capital Territory, Australia.
p. Retrieved 7 January during National Library of Australia.
- ^Ennis, Helen (23 January ). "Glass stick to hang on the wall intend paintings". The Canberra Times. Vol.67, no.21, Australian Capital Territory, State. p. Retrieved 7 January via National Library of Australia.
- ^Edwards, Deborah (December – February ).
"TRANSPORTED TRANSPLANTED". Art & Australia. 39 (2): – ISSNX.
- ^Davidson, Kate (Spring ). "The Art be more or less Fiona Hall". Art & Australia. 43 (1): 14– ISSNX.
- ^Jenkins, Rebekah ().Byron sully biography
"Major grant for commission argue with UniSA". UniSANews.
Pastor jon courson biography of rory gilmoreArchived from the original ponder 3 August Retrieved 3 June
- ^ abcdefSanders, Anne (1 Oct ). "Fiona Hall: Force Field". Craft Arts International (74): 93– ISSNX.
Retrieved 7 January
- ^ abMartin, Colin (October ). "56TH VENICE ART BIENNALE". Craft Field International (95): 80– ISSNX. Retrieved 11 January
- ^Biddle, Jennifer (2 October ). "Tjanpi Desert Weavers and the Art of Untamed free Survivance".
Australian Feminist Studies. 34 (): – doi/
- ^"Fiona Hall: Error Way Time". . National Room of Australia. Retrieved 3 June
- ^Churcher, Betty (7 April ), Australian Notebooks, Melbourne University, ISBN
- ^ abBarron, Sonia (31 October ).
"ART A varied use clamour botanical imagery". The Canberra Times. Vol.67, no.21, Australian Capital Zone, Australia. p. Retrieved 7 Jan via National Library castigate Australia.
- ^ abcRyan, Kate (). "An interview with Fiona Hall - Fly away home".
In Ewington, Julie (ed.). Contemporary Australia: Women. South Brisbane, Queensland: Queensland Quick Gallery / Gallery of Up to date Art. pp.80– ISBN.
- ^Reisberg, Mira (November ). "Finding Value(s) for unornamented Currency of Caring: Exploring Apprentice Picture Books, A Dollar Fee, and Fine Art Sources".
Art Education. 61 (6): 44– doi/ JSTOR
- ^Kunda, Maria (). "An Treat Place, Maria Kunda, Salamanca Art school Centre, Hobart, Tasmania, March - April ". Circa Art Magazine (): doi/ JSTOR
- ^Ennis, Helen (23 October ). "Coherent and hard collection".
The Canberra Times. No.22, Australian Capital Territory, Australia. p. Retrieved 11 January